Yael Dahan

Yael is the studio's most architectural presence — cropped silhouette, measured walk, a face the lens reads as editorial before it reads as intimate. She trained in movement before she ever stood in front of a production camera.

Haifa gave her a taste for contrast: industrial edges against the water. That contrast is the reason we signed her. She does not decorate a frame. She divides it.

Her first house productions leaned into tailored wardrobe and withheld dialogue. The work is cooler than the rest of the slate, and that is the point.